A journey in the early seventies, in the Bonotto’s showroom set up as a gallery, with a selection of Fluxus works from the Bonotto art collection, which are essential for the contemporary aesthetic system.
Homo Fluxus is a journey, in the early seventies, in the Bonotto’s showroom set up as a gallery, with a selection of Fluxus works from the Bonotto art collection, which are essential for the contemporary aesthetic system. The very rare videos by Jonas Mekas, images by Joseph Beuys, musical sheets by Philip Corner, and Cramps, the historical records of the Milanese avant-garde label, will dialogue with a collection designed for the needs of a new contemporary consumer, who once again turns over the formal codes and contaminates his own styles and its attitudes of life. This artistic friction pushes forward research into the fabric and creativity dystonica by Giovanni Bonotto, who meets men’s fashion for the first time.
- Joseph Beuys, with the following poster:
- Joseph Beuys, Galleria Amelio 1971
- Joseph Beuys, I like America and America like me, 1974 - Joseph Beuys, F.I.U. Joseph Beuys 7000 Eichen, 1982
- Joseph Beuys, Coyote, 1978
- Philip Corner, with the following enlargements of the photos related to the “Piano Activities” performance. - Philip Corner, Piano work. Concert suite
- Philip Corner, Piano Activities (score)
- A collection of vinyl records from Cramps records, an Italian record company active in the 1970s in Milan.